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Frederic E.Church
Red Hills near Kingston,Jamaica
mk48
1865
Brush and oil paint on tan paperboard
9 1/4x14 7/16in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
Rain Forest,jamaica,West Indies
mk48
April-August 1865
Brush and oil paint on paperboard
12x20in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
Plant Study,Jamaica,West Indies
mk48
Brush and oil paint,graphite on cream paperboard
11 9/16x11 5/8in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
Thunder Clouds,Jamaica
mk48
August 1865
Brush and oil paint on cream paperboard
7 3/16x11 3/4in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
Cloudy Skies
mk48
August 1865
Brush and oil pain,graphite traces on thin paperboard
10 1/8x12in
Cooper-Hewitt,National Design Museum,Smithsoniam Institution,Gift of Louis P.Church
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Frederic E.Church
A Coast Line in Jamaica,West Indies
mk48
Brush and oil paint,graphite on tan paperboard
10 3/16x12 1/16in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
Rainy Season in the Tropics
mk48
1866
Oil on canvas
56 1/4x84 1/4in
Fine Arts Museum of San Francison,Museum Purchase
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Frederic E.Church
Niagara Falls from the American Side
mk48
1867
Oil on canvas
101 3/8x89 1/2in
The National Gallery of Scotland
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Frederic E.Church
View Towards Damascus,Syria
mk48
Apri 24-May 16.1868
Brush and oil paint on tan paperboard
4 7/16x9in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
Jerusalem from the Mount of Olives
mk48
1868
Brush and oil paint,graphite on tan paperboard
11 13/16x18 1/2in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
Mount Lebanon
mk48
1868
Brush and oil paint Graphite on tan paperboard
10x12 3/4in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
Interior of the Temple of Bacchus,Baalbek,Syria
mk48
May1868
Brush and oil paint,graphite on tan paperboard
10x11/1/4in
Cooper-Hewitt,National Design Museum,Smithsonian Institution.Gift of Louis P.Church
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Frederic E.Church
Koenigssee,Bavaria
mk48
July 1868
Brush and oil paint,graphite on cream paperboard
11 7/16x11 7/8in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
Hinter Schonau and Reiteralp Mountains,Bavaria
mk48
1868
Brush and oil paint,graphite on thin paperboard
12 15/16x20in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
Salzburg,Austria,View of the Castle
mk48
July 1868
Brush and oil paint,traces of graphite on green paperboard
9 1/8x12 1/16in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church.
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Frederic E.Church
Rooftops at Sunset,Rome,Italy
mk48
1868-69
Brush and oil paint,graphite on paperboard
10 15/16x15 3/16in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
Broken Column,The Parthenon,Athens
mk48
April 1869
Brush and oil paint,graphite on tan paperboard
11 1/16x15 3/16in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
Broken Colunms,View from the Parthenon,Athens
mk48
April 1869
Brush and oil paint,graphite on thin paperboard
11 1/8x15 1/16in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
View of the Acropolis,Athens
mk48
April 1869
Brush and oil paint,graphite on tan paperboard
12 15/16x20 1/16in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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Frederic E.Church
The Parthenon from the Southeast
mk48
April 1869
Brush and oil paint,graphite on paperboard
8 7/8x12 15/16in
Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
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| Frederic E.Church
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1826-1900
American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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